La Bricoleuse (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
labricoleuse) wrote2015-04-14 04:06 pm
labricoleuse) wrote2015-04-14 04:06 pm
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Dye class: Repetition
My dye class presented some of their projects today for the most recent unit, repetition techniques. This segment of the class covers a wide range of methods for creating surface designs on textiles involving repeat images, from screenprinting to blockprinting, stenciling to digital fabric printing. Check these out!
First year grad Max Hilsabeck converted a mosaic design into a stencil in order to create multicolor border print on a purchased tee-shirt.
Second year grad Erin Abbenante screenprinted this "Treadle to the Metal" motif on...well, just about everything. (Pictured, tee and test print.)
Second year grad Katie Keener owned this antique woodblock and wanted to somehow incorporate it into her project--note the pattern loss in the stamped samples here, due to severe damage to the block itself. She cleaned up the impression of the stamped image and digitized it...
...then she worked with Sallye Coyle of Good Harbor Bay Studios to carve a new block using a ShopBot CNC router. Pictured is the new block and two prints using it.
Then, she talked to the folks at the UNC Makerspace here on campus about 3D printing the block! At left is the actual block they printed (with residual ink from use) and at right are two test prints which were flawed experiments.
A comparison of test prints using the two blocks. Still some issues to work out with accurate registration on the 3D printed block, at right, but they both sure do make some great repetition-patterned fabrics, don't they?
First year grad Max Hilsabeck converted a mosaic design into a stencil in order to create multicolor border print on a purchased tee-shirt.
Second year grad Erin Abbenante screenprinted this "Treadle to the Metal" motif on...well, just about everything. (Pictured, tee and test print.)
Second year grad Katie Keener owned this antique woodblock and wanted to somehow incorporate it into her project--note the pattern loss in the stamped samples here, due to severe damage to the block itself. She cleaned up the impression of the stamped image and digitized it...
...then she worked with Sallye Coyle of Good Harbor Bay Studios to carve a new block using a ShopBot CNC router. Pictured is the new block and two prints using it.
Then, she talked to the folks at the UNC Makerspace here on campus about 3D printing the block! At left is the actual block they printed (with residual ink from use) and at right are two test prints which were flawed experiments.
A comparison of test prints using the two blocks. Still some issues to work out with accurate registration on the 3D printed block, at right, but they both sure do make some great repetition-patterned fabrics, don't they?
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WOW!!
Gotta talk to my local makerspace about doing stencils for me...
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Instead of spending hours carving the block, a dyer/painter could devote time to other projects while the block is being produced by CNC or 3D printing.