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Dye class: Resist projects!
My graduate students presented the next round of projects in dye class today, the focus of which is use of resist to create surface design on fabric. They decide upon a method, a fabric, and a dye to use, and must create a substantial length of fabric (the minimum requirement is 4 square feet, but most choose to do more surface area than that).
Take a look at what they created!
PRC Costume Technician Sam Kate Toney made this batik of a traditional tattoo design using soy and parrafin wax for her resist, and fiber-reactive cold-process dyes on a yard of cotton fabric.
Second-year grad Erin Abbenante made this batik of a nautical allover design using soy wax (and an anchor-shaped tjap!), using fiber-reactive cold-process dyes on a yard and a half of cotton fabric.
First-year grad Max Hilsabeck made this dress from an engineered batik of palm fronds, using fiber-reactive cold-process dyes on cotton fabric.
Second year grad Katie Keener used gutta as a resist to create this Bakst-inspired yardage with acid dyes on 2.5 yards of china silk.
Take a look at what they created!
PRC Costume Technician Sam Kate Toney made this batik of a traditional tattoo design using soy and parrafin wax for her resist, and fiber-reactive cold-process dyes on a yard of cotton fabric.
Second-year grad Erin Abbenante made this batik of a nautical allover design using soy wax (and an anchor-shaped tjap!), using fiber-reactive cold-process dyes on a yard and a half of cotton fabric.
First-year grad Max Hilsabeck made this dress from an engineered batik of palm fronds, using fiber-reactive cold-process dyes on cotton fabric.
Second year grad Katie Keener used gutta as a resist to create this Bakst-inspired yardage with acid dyes on 2.5 yards of china silk.